Thursday, June 25, 2009
Balance Secrets Revealed...
John showed how in multiple-attacker situations, he's able to "easily" (i.e. without significant muscular effort) move his body and the attackers' bodies such that the attackers get in each others' way and even hurt each other. The "aha!" moment for me was when he had me put my hand in between his hand and the body he was pushing. There was actually very little pressure! Certainly not enough to "push someone off-balance" in the conventional sense. John uses his sensitivity and body unity to position himself to push/pulse at just the right angle and location to control the bad guy's balance with very little actual pressure. As John explains, a person in motion can be on balance only at one particular point/angle at any given moment. John feels where this is and takes control of the person's balance from a different point/angle that requires very little pressure because some component of the person's balance is moving that way or close to it already. Here's the catch: If you're the person being pushed, it FEELS like John must be pushing very hard, with overwhelming force, because you can't catch your balance. That has been misleading me in my training up to this point. I always assumed that because it FELT like John was applying overwhelming force to take my balance, that must have been what was happening. I knew he wasn't applying brute muscular force, but I thought his body unity and alignment enabled him to push extremely hard to take my balance.
The reality, however, is something very different. Check out the next Guided Chaos Newsletter to find out how John is able to hit people anywhere at will with demolishing force and minimal energy...
Monday, May 04, 2009
My Lessons With the Masters: Stuff I'm Working On...
--When doing slower contact flow, you have to remember to move with the same dynamics as a full-speed, full-power fight. Avoid the temptation to move only as little as the slow-speed energy level demands in order to get your strike in sooner. For example, a student will sometimes slightly pocket a slow aligned strike to his left chest, while striking back with the left arm. He thinks this is economical and efficient, minimizing movement and time to strike. At low speed with low energy, it seems as if this would be possible. All you have to do, though, is imagine that the slow strike is being throw full-speed, full-power, full-body by a big, angry guy, and you'll realize that the slight pocket without any other change in the body would not save you at all. You'd be whacked completely off-balance, and your counterstrike would never land. You'd realize that you have to pocket, sink, turn and move your center to avoid being bowled over by the strike. Your counterstrike then naturally comes from your right arm as you turn. Moving slowly, this might appear to take a lot of time and movement. Full-speed, however, this movement actually allows for the fastest and most devastating counterstrike, that hits with maximum balance and alignment while the aggressor is still extending and committing into the impact. You want this kind of movement to be reinforced by the slow training, not the "shorter" yet unrealistic movement described earlier. The benefits of slow contact flow are immense. Do not, however, lose sight of the true dynamics of a full-energy fight. To do so is to implant unrealistic expectations in the subconscious mind that could get you killed in reality. This is also a reason to practice contact flow at all speeds once enough balance, looseness, sensitivity, control and trust have been developed. Understanding the dynamics inherent in higher-speed flow enable you to keep things realistic at lower speeds.
--To break base legs, the force of your kick should penetrate and angle downwards to pin the target leg to the ground, leaving no way for the target leg to escape out into the air. Of course, just casually jabbing your steel toe into the ankle just above the foot can do great damage regardless.
--The downward intention of your body, no matter what direction it's actually going, creates the unstoppable "weight" of Guided Chaos striking and unbalancing from any position, without any actual commitment of balance.
--John knows so many devastatingly subtle and surprising ways of using all possible ridges of the body (e.g. fingertips, second knuckles, many others) to damage other bodies . . . it's just WRONG!!! And it's possible only through mastery of the principles and the GC training exercises. Without a ton of balance, looseness, body unity, sensitivity, and slam bag practice, none of these evil methods would even be possible.
--As your mastery of the GC principles progresses, your teachers can increasingly show you more and more possibilities and "tricks" regarding movement and tactics, and your subconscious will increasingly quickly absorb and integrate them into your spontaneous movement. John is able to simply show and explain various ideas to the GC masters, and they are then able to utilize them free-form with very little additional practice or thought. Great example: John had Tim show Michael Watson some subtle uses of the fingers and wrists for control and cutting angles (at least that's what it looks like from the outside). Minutes later, Michael was utterly befuddling the rest of us by using these methods. It's the mastery of the basic principles that allows this. (Of course, Michael's subconscious integration and use of these methods will improve even further with additional practice, as with anything.) If John were to show me or another lower-level student the same idea, it would likely be close to useless, as my body does not yet move well enough (i.e. in line with the principles) to understand and utilize the idea.
So, time to go work the principles. . . .
--Ari Kandel
Friday, February 06, 2009
My Lessons With The Masters--Really Deep Stuff!
Incidentally, the reason why I have a lot more training tips on the blog from e.g. Lt. Col. Al than from John is that a greater percentage of John's training is completely subliminal and personal. Whatever John may be saying at the moment, most of the time the real lesson that he's teaching directly to your subconscious is contained in the contact, pressure and movement his body is giving you. Most of the time, you're not consciously aware of what your body and subconscious mind are being taught . . . but the improvement is evident when you subsequently work with other people.
--"New/old" exercise: flowing with the big foam cylinder. In John's youth, the ancestor to this drill was "fighting over a log." Using the big foam cylinder with a bit less "bad intention" makes for a more subtle drill that brings out very interesting feelings and movement. Through doing this drill with John, I had an "epiphany" regarding the CONSTANT rolling movement, NO STOPPING me or him, no seizing or muscling, just letting the cylinder roll and adjust. I must try to bring that same feeling to regular contact flow.
--More wet dishrag = more mushin. During contact flow with another student, John told me to feel more like a "wet dishrag". This allowed me to better release my looseness from the interference of conscious control. Rather than focusing on what was going on between me and my training partner, John's admonition made me focus more on my general internal feelings of looseness and heaviness (balance), disregarding (consciously) the actual movements, and hence making me far more dangerous.
--Balance can be in only one angle at a time. But if you keep it constantly moving and readjusting, it becomes difficult for your training partner or enemy to get a fix on it. Hence, the root that can't be found.
--Loosness can be in only one place at a time. If you loosen a part of your body, another part of your body must solidify. For example, if I loosen and pocket one side of my ribcage, the other side solidifies and is vulnerable. Therefore, I can't commit to or let my conscious focus go to a single loosening, but I must keep moving and flowing, loosening in any particular place only briefly with as little motion as is necessary, more trampoline-like than modeling clay-like.
--John makes me think/feel that something is coming in one place, which makes me loosen to absorb in that place, thereby solidifying in another place, which he then hits.
--I must have the PATIENCE to "ride" my training partner and feel where he's off-balancing himself and take advantage, rather than trying to force the issue and use muscular effort to disrupt his balance where it is strong.
--Natural athletes can pick stuff up quickly and "do" it (i.e.mimic kinds of motion), and can force things to happen through their superior athleticism (speed/strength/mass/coordination). We "non-naturals" (e.g. John, me) must understand the depth of the principles through experience, and be completely mushin, as we can't force anything to happen. Of course, the better we train the "naturals" to be like us (combining their natural attributes with deep understanding of the principles through experience), the better it forces us to become.
--Mushin, like most things, is present in degrees. It's not an all-or-nothing idea. You can have more or less conscious interference without being completely "no-mind" or completely "paralyzed by conscious analysis." Of course, all other things being equal, the "more Mushin" person has the advantage.
--The "Mind Like Water" analogy imagines the perceiving mind as a perfectly still, placid pond, perfectly reflecting the moon. The "moon" is REALITY, the reflection is the mind's perception of reality. Roil the waters with thought, emotion, etc., and the reflection gets distorted. The more roiled, the more distorted and distant from reality the perception becomes. Emotional attachment must be jettisoned. The opposite of hate is not love, but indifference--lack of any emotional attachment to the person or object. Love and hate of the enemy as well as love and hate of the self must not disturb the pond, or else you will not be able to accurately perceive and flow with reality.
Big shout-out to Bill in San Diego, and Marlon and Marc in Florida. They made the time and effort to get "hands-on" experience with Guided Chaos while I was visiting their towns, as I announced on the GC Forum. They've promised to post some impressions on the forum. I know that Bill has already gotten the opportunity to successfully apply the few hours of training he got (not to a life-and-death situation, but still, it clicked!). Also, shout-outs to Mike in L.A. and Evan and John in OH and KY. They got in touch with me and tried to hook up for training, but scheduling/circumstances prevented it. Hopefully soon guys! Props for making the effort. Good example for the other "fans" out there. Remember, reading/talking about GC/combat will not help you much. Training on your own is the critical first step. Getting instructor contact, either where you live or in NY, will multiply the benefits of your solo/group training exponentially. Just ask Bill, Marlon and Marc, or for that matter, Bob Miller in the Northwest and Ken Freeman in Chicago.
The new year is already one-twefth gone. Get on it!!!
Saturday, October 25, 2008
My Lessons With The Masters
I recently (finally!) began to take private lessons with David Randel (see his website, davidrandeljr.com), a 4th Degree Black Belt in Guided Chaos and one of the most active instructors in John Perkins' organization. Very glad that I did!
What stands out most about Dave is his surprising gentleness and patience as a teacher, given his initially intimidating presence and rough background. He's a big guy, and he's had lots of brutal fighting experience in the Bronx (where he grew up), overseas, and in his bouncing and security career in some rather unsavory places. When he teaches, however, he explains things very clearly and patiently, and keeps the violence all around your body, rather than inside it. There can be no doubt about the power he can generate as you see and feel him move (extremely fluidly), but he doesn't do any more to you than is necessary to give you the impression of how you can do it too. I get the feeling when taking a lesson from Dave that he really enjoys sharing the art he loves with people who appreciate it.
Here are just a few tips from the first two lessons:
--My shoulders and hips are not in synch. I allow my shoulders to move and yield without adjusting my hips to maintain alignment and balance. Key to this is moving the feet to the right place to allow the hips to maintain their alignment with the shoulders.
--This bad habit may have been brought on by allowing myself to get lazy while working with less experienced students who may not always force me to move properly. In such cases, my superior sensitivity and looseness, combined with their inability to feel and attack my center, allow me to "get away with" not moving the entire body in synch at all times. When Dave moves in on me, however, I have to either move everything together properly or get jammed up and lose balance. Solution: When working with less experienced students, even at slow speeds, try to move as if they are blasting in very powerfully. Keep the reality of violence in mind (i.e. sudden, powerful forces) so that contact flow doesn't degenerate into a game with the more experienced person "playing with" the less experienced in ways that would not be applicable if the less experienced student were more skillful and/or truly violent.
--Cool drill to "wake up" the feet: Stay on your tip-toes while doing contact flow, while your partner stands and moves normally. This forces you to adjust your feet to avoid giving any resistance that might jeopardize your own balance, rather than thinking you can stand your ground and resist something with your oak tree root. Far better to have a Root No One Can Find! Note that this is just a remedial drill to allow you to feel more precisely where and why you need to move your feet. Don't overdo it, or you may get into the bad habit of rising up as you move, which may leave you worse off than you were initially.
--A big part of Guided Chaos is simply GETTING OUT OF YOUR OWN WAY to allow yourself to continuously move in and attack. You can't always control what the enemy does--but you can control what you do and stay out of the way of your own attacks regardless of what he does.
--Use long stepping to "stand where he's standing" by stepping through his legs, thus effortlessly breaking his balance (and sometimes his legs) while retaining your balance and hitting.
--Hip strikes should be more downward with a drop to break things and secure your balance, rather than pushing the hip outward, which is just a push that does no real damage and jeopardizes your balance.
--USE WHAT YOU'VE GOT TO YOUR ADVANTAGE at all times. For example, if your elbow happens to be in contact with a non-lethal area, rather than simply moving to get it to a better target, why not use the contact to disrupt his balance on the way to moving to good targets? This can apply to practically any contact. Feel how you can get to his center through any contact.
--Don't make grabbing too much of a habit in contact flow, such that you start to depend on it as a crutch. At full speed, grabs can be tough to get unless you have the high skill to set them up--and if you have such skill, why bother grabbing much? Most grabs in slower speed contact flow between less skilled students are unrealistic increases in energy (speed and/or pressure), which would be impossible to pull off at full speed. However, some of the positive effects of grabbing can be realized simply through friction and angular hitting, without overcommitting or doing anything unrealistic. Very cool stuff.
Dave recently went full-time with his Guided Chaos teaching career. He teaches a Thursday evening class in Manhattan, a Sunday morning class in New Jersey, and private lessons by appointment. He's also working on some Web and other projects to promote the art (see www.martialrealists.com), and will be traveling a lot to teach seminars in the near future. I highly recommend you hook up with him for some training before the demand exceeds the supply! I'm glad I have!
Sunday, September 14, 2008
"Are We There Yet?": Shoulder Surgery Update
To refresh your memories, I had 3 tendons torn (2 of them completely), 3 anchors and six screws set into my shoulder, as well as the top of my humerus shaved (nothing funny about it I can assure you). As such, your progress could be better or worse depending on how much work was done and whether you had open or arthroscopic surgery. For example, I met someone who had less work done and had twice the range of movement (ROM) I had in half the time. Dirt bag. (Do I sound impatient?) Shoulders apparently have more nerves and more planes of motion and so they really take awhile to get "better..." My surgeon told me that if you force too much in physical therapy and get too much ROM too early you actually potentially impair future joint stability, so it's dicey. Then I met another guy who had surgery a week before me and was back in the gym already. "Yeah, I can reach all the way up my back, lift weights, everything!" Frowning, I thought how I had just recently been able to reach far enough to my left armpit to put on deoderant. Dirtbag...
The thing is, I've broken a lot of bones and you always know that, barring any accidents or complications, you're gonna essentially be healed in 6-11 weeks. Anyone can put up with that. Nine months takes more patience. Then of course you've got soldiers blown up in Iraq or car accident victims that require years of healing and you've got to wonder how tough those people have to be!
Well it turns out my ROM (range of motion) improvement had ground to a halt. It was time for a change of tactics. No more play time in physical therapy; if I didn't start getting my ROM back now I might never fully recover. "This is fairly common," explained my surgeon, "the supporting muscles go into spasm and you must begin to tear up the scar tissue." "Tear?" I asked, "isn't that what prompted the surgery in the first place?"
This was different. My injuries were healed; now I had to fight the body's tendency to protect itself. "Make it hurt" my surgeon said. "How much?" I asked. "In your stretches, go to the point where the pain becomes unbearable. Then go further, hold for 20 seconds and repeat. You can do this 10 times a day," he told me cheerily.
And so I did. Tears would come to my eyes and the pain would make me dizzy. But suddenly I started making ROM progress again. I still have a long way to go, but I'm beginning to see the light at the end of the tunnel. And I keep meeting people who had shoulder surgery the same time I did who are almost fully recovered. I know what they're going through and I'm happy for them. Dirt bags.
Wednesday, September 10, 2008
Teaching Guided Chaos
My training availability is limited by family situation and time constraints to specific locations in the Edgewater, NJ area. I am therefore extending this invitation to anyone who would be willing and able to travel to me for private or semi-private lessons. Rates negotiable, discounted prepayment for a block of lessons negotiable.You can get to me easily via NJ Transit bus or light rail, NY Waterwayferry, or by car (free parking). Scheduling will vary, but will generally include weekday early evenings and weekends.
Topics, depending on student interest, can include basic self-protection, Perkins Close Combat, and Guided Chaos. For Guided Chaos, while solo exercises can be taught, focus will be primarily on contact flow and related exercises. It is recommended that students supplement their lessons with study of the Attack Proof book and DVDs, and at least occasional attendance of Guided Chaos classes.
Please E-mail me at arikandel2002ATyahoo.com if you are interested.
Recommendation:
"Ari Kandel is one of our finest trainers. He possesses a deep understanding of the principles of Guided Chaos and can be counted on to bring out the best in nearly any student. I have personally trained and tested him on many levels and Ari will satisfy any true search for martial ability that most seekers may possess."
--John Perkins, Founder, Guided Chaos
Student endorsements available by request.
Wednesday, July 23, 2008
Lessons With The Masters
I'd like to clear up a misconception regarding this blog: I'm the one who just had a baby. Matt Kovsky's the one who just had shoulder surgery. I've had several people congratulate me on the birth of my daughter, and in the same breath, ask how my shoulder's doing. My shoulder's fine! Matt's is messed up and slowly healing. So any posts on this blog regarding shoulders are from Matt. The others are from me. Capishe?
With that out of the way, the past few weeks have been very interesting Guided Chaos-wise (and in other ways too, but let's stick to the GC).
Here's an idea I've been mulling over the last few days and experimenting with on fellow students who have come by my place to train:
Do NOT confuse the exercise of Contact Flow with the application to real combat of the benefits you get from it. I believe many people do this, and thereby hinder their progress. Contact Flow is NOT simulated combat. Combat is combat, period, and cannot be exactly simulated. However, the benefits you get from Contact Flow can serve you very well in combat.
Beyond the often-discussed Guided Chaos principles of balance, looseness, body unity, sensitivity, freedom of action and subconsciously-driven spontaneous movement, perhaps THE major benefit of Contact Flow is INCREASED INTUITIVE/SUBCONSCIOUS UNDERSTANDING OF THE HUMAN BODY. Contact Flow, trained in the right mindset, "downloads" knowledge about human body structure and movement (your own and others') to your subconscious mind faster than any other method I know of.
Tim once said to me something along the lines of: "This really comes down to understanding people--understanding yourself, understanding others. If everyone fully understood each other, things would probably be a lot better, don't you think?" At the time, I didn't really get what he was talking about, but I believe it may have had something to do with what I'm talking about now.
The PURPOSE of filling the subconscious mind with intuitive information about the human body and how it moves is to be able to do what John does. John has the uncanny ability to move his whole body to precisely the best place for himself and the worst place for his enemies, moment by moment, based on his perception of the enemies' movement and the rest of the environment. 30+ years of Contact Flow with all sorts of people, and 20+ years of Contact Flow's predecessors before that, have provided his subconscious mind with a wealth of data about how human beings move and what that movement feels like. This is what enables John to instantly, intuitively understand exactly what a person is going to do and how his body will move based on what it's currently doing, usually far better than that person himself understands it!
So, if the purpose of Contact Flow is to gather subconscious information about how people and their movement feel, with an eye towards using that information to intuitively adapt to people's movement in combat, how should we approach Contact Flow? What attitude should we have towards the contact?
I believe some people mess up their training by having incorrect attitudes toward the contact in Contact Flow. If in a person's mind Contact Flow is some sort of competitive activity or simulation of combat, then the person will have a judgemental attitude towards the contact (e.g. my palm contacting your chin is good, whereas your fist contacting my rib is bad). This will cause that person to miss all the subtle information available from each point and moment of contact. Often (not always), the people in class whose everyday lives are relatively sedate and safe, and for whom class is the biggest "adrenaline rush" of the week because it's about VIOLENCE and whatnot, have this problem. Some (not all) folks who deal with real violence and danger in their daily lives (e.g. cops, psych ward handlers, bouncers, construction workers and other experienced people), by contrast, view class as the most RELAXING part of the week, where they get to hang out and learn about themselves and others in a fun, relaxing, meditative environment (at least the Contact Flow part of class). These people often make faster progress because of their different attitude towards Contact Flow.
Think of it this way: If you wanted to gather maximum information about how e.g. a piece of fabric feels, how would you approach touching it? I actually did this experiment with a couple of students. Pointing to a folded blanket (this took place in the guest bedroom of my house, which I use for training), I said to the students, "Tell me how that feels. Describe it in as much detail as possible." Each student walked over to the blanket and casually ran his fingers lightly over the surface. I made the blanket move by running my hands back and forth underneath it, while asking each student to feel it again and describe everything about it--the texture, the wrinkles, how it moved, etc. Their answers weren't important. What mattered is how they touched the blanket in order to gain maximum information about it. They did not push it hard, use any particular "form," grab it, strike it or try to control it (even when it was moving). They did not stick stubbornly to any one point on it. Doing any of these things would have reduced the amount of information they could glean from the contact. Just for kicks, I told them to use their arms, shoulders and chests in the same way as their hands to feel how the blanket felt. Made them look pretty silly! However, the implications for Contact Flow were obvious.
If the goal is to get maximum information from the contact, why approach the contact in Contact Flow any differently?
Watch some of the scenes in the Attackproof Companion Video Part 3, where John is flowing at moderate speed with some of the more advanced students (e.g. Al), and observe whether his attitude varies greatly from how he'd approach feeling a fine hanging curtain for example. (Note that instructors don't always look like this when training with students, as often the instructors intentionally feed the students obvious pushes, strikes and other disruptions to deal with so that the students can develop. What I'm describing here is not ALL THERE IS to Contact Flow, but simply an important piece of it.)
Adopting this attitude of simply exploring how my training partner feels seems to be working well for me so far. I've received feedback that I feel more like Lt. Col. Al, more ghostly and unreadable and surprising, when I adopt this attitude.
We'll see where this goes. The journey continues. . . .
A tip from a recent lesson with Al (which focused more on application than on Contact Flow itself):
--If I drop to stop his motion, I must not stop my own motion with my own drop! When I drop against his arm or body, my body must continue to move in, taking immediate advantage of the space and time I created for myself via the drop. This is how I can get ahead of him. If we both stop at the moment of the drop, I give him time to recover and nail me. There is NO need to stop my whole body when dropping. It can move in behind my strikes and pulses just as the body can move in behind light contact or equal pressure in slower Contact Flow. Continuous contact and pulsing pressure in slower Contact Flow can become strikes and tool destructions in full-speed application, allowing the same levels of mobility and sensitivity--so long as the requisite looseness remains.
And a different way of thinking about looseness that has helped me in my recent quest to "use my looseness as a weapon" (per Al) and also to get some students to cut down their excess motion:
--Looseness is about FREEDOM IN ALL YOUR JOINTS. It's not about flexibility, contortion or "softness." If you're loose, each joint in your body is free to move however it must at any time, rather than being locked into a certain position or reduced range of motion. It is free to move whether the impetus to move comes from within the body or from outside the body.