My Lessons With The Masters--Really Deep Stuff!

Here is some really deep stuff (and my interpretations of it) from my last couple months of training with John.

Incidentally, the reason why I have a lot more training tips on the blog from e.g. Lt. Col. Al than from John is that a greater percentage of John's training is completely subliminal and personal. Whatever John may be saying at the moment, most of the time the real lesson that he's teaching directly to your subconscious is contained in the contact, pressure and movement his body is giving you. Most of the time, you're not consciously aware of what your body and subconscious mind are being taught . . . but the improvement is evident when you subsequently work with other people.

--"New/old" exercise: flowing with the big foam cylinder. In John's youth, the ancestor to this drill was "fighting over a log." Using the big foam cylinder with a bit less "bad intention" makes for a more subtle drill that brings out very interesting feelings and movement. Through doing this drill with John, I had an "epiphany" regarding the CONSTANT rolling movement, NO STOPPING me or him, no seizing or muscling, just letting the cylinder roll and adjust. I must try to bring that same feeling to regular contact flow.

--More wet dishrag = more mushin. During contact flow with another student, John told me to feel more like a "wet dishrag". This allowed me to better release my looseness from the interference of conscious control. Rather than focusing on what was going on between me and my training partner, John's admonition made me focus more on my general internal feelings of looseness and heaviness (balance), disregarding (consciously) the actual movements, and hence making me far more dangerous.

--Balance can be in only one angle at a time. But if you keep it constantly moving and readjusting, it becomes difficult for your training partner or enemy to get a fix on it. Hence, the root that can't be found.

--Loosness can be in only one place at a time. If you loosen a part of your body, another part of your body must solidify. For example, if I loosen and pocket one side of my ribcage, the other side solidifies and is vulnerable. Therefore, I can't commit to or let my conscious focus go to a single loosening, but I must keep moving and flowing, loosening in any particular place only briefly with as little motion as is necessary, more trampoline-like than modeling clay-like.

--John makes me think/feel that something is coming in one place, which makes me loosen to absorb in that place, thereby solidifying in another place, which he then hits.

--I must have the PATIENCE to "ride" my training partner and feel where he's off-balancing himself and take advantage, rather than trying to force the issue and use muscular effort to disrupt his balance where it is strong.

--Natural athletes can pick stuff up quickly and "do" it (i.e.mimic kinds of motion), and can force things to happen through their superior athleticism (speed/strength/mass/coordination). We "non-naturals" (e.g. John, me) must understand the depth of the principles through experience, and be completely mushin, as we can't force anything to happen. Of course, the better we train the "naturals" to be like us (combining their natural attributes with deep understanding of the principles through experience), the better it forces us to become.

--Mushin, like most things, is present in degrees. It's not an all-or-nothing idea. You can have more or less conscious interference without being completely "no-mind" or completely "paralyzed by conscious analysis." Of course, all other things being equal, the "more Mushin" person has the advantage.

--The "Mind Like Water" analogy imagines the perceiving mind as a perfectly still, placid pond, perfectly reflecting the moon. The "moon" is REALITY, the reflection is the mind's perception of reality. Roil the waters with thought, emotion, etc., and the reflection gets distorted. The more roiled, the more distorted and distant from reality the perception becomes. Emotional attachment must be jettisoned. The opposite of hate is not love, but indifference--lack of any emotional attachment to the person or object. Love and hate of the enemy as well as love and hate of the self must not disturb the pond, or else you will not be able to accurately perceive and flow with reality.

Big shout-out to Bill in San Diego, and Marlon and Marc in Florida. They made the time and effort to get "hands-on" experience with Guided Chaos while I was visiting their towns, as I announced on the GC Forum. They've promised to post some impressions on the forum. I know that Bill has already gotten the opportunity to successfully apply the few hours of training he got (not to a life-and-death situation, but still, it clicked!). Also, shout-outs to Mike in L.A. and Evan and John in OH and KY. They got in touch with me and tried to hook up for training, but scheduling/circumstances prevented it. Hopefully soon guys! Props for making the effort. Good example for the other "fans" out there. Remember, reading/talking about GC/combat will not help you much. Training on your own is the critical first step. Getting instructor contact, either where you live or in NY, will multiply the benefits of your solo/group training exponentially. Just ask Bill, Marlon and Marc, or for that matter, Bob Miller in the Northwest and Ken Freeman in Chicago.

The new year is already one-twefth gone. Get on it!!!

My Lessons With The Masters

I recently (finally!) began to take private lessons with David Randel (see his website, davidrandeljr.com), a 4th Degree Black Belt in Guided Chaos and one of the most active instructors in John Perkins' organization. Very glad that I did!

What stands out most about Dave is his surprising gentleness and patience as a teacher, given his initially intimidating presence and rough background. He's a big guy, and he's had lots of brutal fighting experience in the Bronx (where he grew up), overseas, and in his bouncing and security career in some rather unsavory places. When he teaches, however, he explains things very clearly and patiently, and keeps the violence all around your body, rather than inside it. There can be no doubt about the power he can generate as you see and feel him move (extremely fluidly), but he doesn't do any more to you than is necessary to give you the impression of how you can do it too. I get the feeling when taking a lesson from Dave that he really enjoys sharing the art he loves with people who appreciate it.

Here are just a few tips from the first two lessons:

--My shoulders and hips are not in synch. I allow my shoulders to move and yield without adjusting my hips to maintain alignment and balance. Key to this is moving the feet to the right place to allow the hips to maintain their alignment with the shoulders.

--This bad habit may have been brought on by allowing myself to get lazy while working with less experienced students who may not always force me to move properly. In such cases, my superior sensitivity and looseness, combined with their inability to feel and attack my center, allow me to "get away with" not moving the entire body in synch at all times. When Dave moves in on me, however, I have to either move everything together properly or get jammed up and lose balance. Solution: When working with less experienced students, even at slow speeds, try to move as if they are blasting in very powerfully. Keep the reality of violence in mind (i.e. sudden, powerful forces) so that contact flow doesn't degenerate into a game with the more experienced person "playing with" the less experienced in ways that would not be applicable if the less experienced student were more skillful and/or truly violent.

--Cool drill to "wake up" the feet: Stay on your tip-toes while doing contact flow, while your partner stands and moves normally. This forces you to adjust your feet to avoid giving any resistance that might jeopardize your own balance, rather than thinking you can stand your ground and resist something with your oak tree root. Far better to have a Root No One Can Find! Note that this is just a remedial drill to allow you to feel more precisely where and why you need to move your feet. Don't overdo it, or you may get into the bad habit of rising up as you move, which may leave you worse off than you were initially.

--A big part of Guided Chaos is simply GETTING OUT OF YOUR OWN WAY to allow yourself to continuously move in and attack. You can't always control what the enemy does--but you can control what you do and stay out of the way of your own attacks regardless of what he does.

--Use long stepping to "stand where he's standing" by stepping through his legs, thus effortlessly breaking his balance (and sometimes his legs) while retaining your balance and hitting.

--Hip strikes should be more downward with a drop to break things and secure your balance, rather than pushing the hip outward, which is just a push that does no real damage and jeopardizes your balance.

--USE WHAT YOU'VE GOT TO YOUR ADVANTAGE at all times. For example, if your elbow happens to be in contact with a non-lethal area, rather than simply moving to get it to a better target, why not use the contact to disrupt his balance on the way to moving to good targets? This can apply to practically any contact. Feel how you can get to his center through any contact.

--Don't make grabbing too much of a habit in contact flow, such that you start to depend on it as a crutch. At full speed, grabs can be tough to get unless you have the high skill to set them up--and if you have such skill, why bother grabbing much? Most grabs in slower speed contact flow between less skilled students are unrealistic increases in energy (speed and/or pressure), which would be impossible to pull off at full speed. However, some of the positive effects of grabbing can be realized simply through friction and angular hitting, without overcommitting or doing anything unrealistic. Very cool stuff.

Dave recently went full-time with his Guided Chaos teaching career. He teaches a Thursday evening class in Manhattan, a Sunday morning class in New Jersey, and private lessons by appointment. He's also working on some Web and other projects to promote the art (see www.martialrealists.com), and will be traveling a lot to teach seminars in the near future. I highly recommend you hook up with him for some training before the demand exceeds the supply! I'm glad I have!

"Are We There Yet?": Shoulder Surgery Update

For all you achy middle-aged warriors out there wondering whether it's all worth it, here's my 4 month progress report on my double-row repair rotator cuff shoulder surgery:

To refresh your memories, I had 3 tendons torn (2 of them completely), 3 anchors and six screws set into my shoulder, as well as the top of my humerus shaved (nothing funny about it I can assure you). As such, your progress could be better or worse depending on how much work was done and whether you had open or arthroscopic surgery. For example, I met someone who had less work done and had twice the range of movement (ROM) I had in half the time. Dirt bag. (Do I sound impatient?) Shoulders apparently have more nerves and more planes of motion and so they really take awhile to get "better..." My surgeon told me that if you force too much in physical therapy and get too much ROM too early you actually potentially impair future joint stability, so it's dicey. Then I met another guy who had surgery a week before me and was back in the gym already. "Yeah, I can reach all the way up my back, lift weights, everything!" Frowning, I thought how I had just recently been able to reach far enough to my left armpit to put on deoderant. Dirtbag...

The thing is, I've broken a lot of bones and you always know that, barring any accidents or complications, you're gonna essentially be healed in 6-11 weeks. Anyone can put up with that. Nine months takes more patience. Then of course you've got soldiers blown up in Iraq or car accident victims that require years of healing and you've got to wonder how tough those people have to be!

Well it turns out my ROM (range of motion) improvement had ground to a halt. It was time for a change of tactics. No more play time in physical therapy; if I didn't start getting my ROM back now I might never fully recover. "This is fairly common," explained my surgeon, "the supporting muscles go into spasm and you must begin to tear up the scar tissue." "Tear?" I asked, "isn't that what prompted the surgery in the first place?"

This was different. My injuries were healed; now I had to fight the body's tendency to protect itself. "Make it hurt" my surgeon said. "How much?" I asked. "In your stretches, go to the point where the pain becomes unbearable. Then go further, hold for 20 seconds and repeat. You can do this 10 times a day," he told me cheerily.

And so I did. Tears would come to my eyes and the pain would make me dizzy. But suddenly I started making ROM progress again. I still have a long way to go, but I'm beginning to see the light at the end of the tunnel. And I keep meeting people who had shoulder surgery the same time I did who are almost fully recovered. I know what they're going through and I'm happy for them. Dirt bags.

Teaching Guided Chaos

I am hereby "hanging up my shingle" for anyone interested in doing private or semi-private lessons with me.

My training availability is limited by family situation and time constraints to specific locations in the Edgewater, NJ area. I am therefore extending this invitation to anyone who would be willing and able to travel to me for private or semi-private lessons. Rates negotiable, discounted prepayment for a block of lessons negotiable.You can get to me easily via NJ Transit bus or light rail, NY Waterwayferry, or by car (free parking). Scheduling will vary, but will generally include weekday early evenings and weekends.

Topics, depending on student interest, can include basic self-protection, Perkins Close Combat, and Guided Chaos. For Guided Chaos, while solo exercises can be taught, focus will be primarily on contact flow and related exercises. It is recommended that students supplement their lessons with study of the Attack Proof book and DVDs, and at least occasional attendance of Guided Chaos classes.

Please E-mail me at arikandel2002ATyahoo.com if you are interested.

Recommendation:

"Ari Kandel is one of our finest trainers. He possesses a deep understanding of the principles of Guided Chaos and can be counted on to bring out the best in nearly any student. I have personally trained and tested him on many levels and Ari will satisfy any true search for martial ability that most seekers may possess."

--John Perkins, Founder, Guided Chaos

Student endorsements available by request.

Lessons With The Masters

First blog post in a while.

I'd like to clear up a misconception regarding this blog: I'm the one who just had a baby. Matt Kovsky's the one who just had shoulder surgery. I've had several people congratulate me on the birth of my daughter, and in the same breath, ask how my shoulder's doing. My shoulder's fine! Matt's is messed up and slowly healing. So any posts on this blog regarding shoulders are from Matt. The others are from me. Capishe?

With that out of the way, the past few weeks have been very interesting Guided Chaos-wise (and in other ways too, but let's stick to the GC).

Here's an idea I've been mulling over the last few days and experimenting with on fellow students who have come by my place to train:

Do NOT confuse the exercise of Contact Flow with the application to real combat of the benefits you get from it. I believe many people do this, and thereby hinder their progress. Contact Flow is NOT simulated combat. Combat is combat, period, and cannot be exactly simulated. However, the benefits you get from Contact Flow can serve you very well in combat.

Beyond the often-discussed Guided Chaos principles of balance, looseness, body unity, sensitivity, freedom of action and subconsciously-driven spontaneous movement, perhaps THE major benefit of Contact Flow is INCREASED INTUITIVE/SUBCONSCIOUS UNDERSTANDING OF THE HUMAN BODY. Contact Flow, trained in the right mindset, "downloads" knowledge about human body structure and movement (your own and others') to your subconscious mind faster than any other method I know of.

Tim once said to me something along the lines of: "This really comes down to understanding people--understanding yourself, understanding others. If everyone fully understood each other, things would probably be a lot better, don't you think?" At the time, I didn't really get what he was talking about, but I believe it may have had something to do with what I'm talking about now.

The PURPOSE of filling the subconscious mind with intuitive information about the human body and how it moves is to be able to do what John does. John has the uncanny ability to move his whole body to precisely the best place for himself and the worst place for his enemies, moment by moment, based on his perception of the enemies' movement and the rest of the environment. 30+ years of Contact Flow with all sorts of people, and 20+ years of Contact Flow's predecessors before that, have provided his subconscious mind with a wealth of data about how human beings move and what that movement feels like. This is what enables John to instantly, intuitively understand exactly what a person is going to do and how his body will move based on what it's currently doing, usually far better than that person himself understands it!

So, if the purpose of Contact Flow is to gather subconscious information about how people and their movement feel, with an eye towards using that information to intuitively adapt to people's movement in combat, how should we approach Contact Flow? What attitude should we have towards the contact?

I believe some people mess up their training by having incorrect attitudes toward the contact in Contact Flow. If in a person's mind Contact Flow is some sort of competitive activity or simulation of combat, then the person will have a judgemental attitude towards the contact (e.g. my palm contacting your chin is good, whereas your fist contacting my rib is bad). This will cause that person to miss all the subtle information available from each point and moment of contact. Often (not always), the people in class whose everyday lives are relatively sedate and safe, and for whom class is the biggest "adrenaline rush" of the week because it's about VIOLENCE and whatnot, have this problem. Some (not all) folks who deal with real violence and danger in their daily lives (e.g. cops, psych ward handlers, bouncers, construction workers and other experienced people), by contrast, view class as the most RELAXING part of the week, where they get to hang out and learn about themselves and others in a fun, relaxing, meditative environment (at least the Contact Flow part of class). These people often make faster progress because of their different attitude towards Contact Flow.

Think of it this way: If you wanted to gather maximum information about how e.g. a piece of fabric feels, how would you approach touching it? I actually did this experiment with a couple of students. Pointing to a folded blanket (this took place in the guest bedroom of my house, which I use for training), I said to the students, "Tell me how that feels. Describe it in as much detail as possible." Each student walked over to the blanket and casually ran his fingers lightly over the surface. I made the blanket move by running my hands back and forth underneath it, while asking each student to feel it again and describe everything about it--the texture, the wrinkles, how it moved, etc. Their answers weren't important. What mattered is how they touched the blanket in order to gain maximum information about it. They did not push it hard, use any particular "form," grab it, strike it or try to control it (even when it was moving). They did not stick stubbornly to any one point on it. Doing any of these things would have reduced the amount of information they could glean from the contact. Just for kicks, I told them to use their arms, shoulders and chests in the same way as their hands to feel how the blanket felt. Made them look pretty silly! However, the implications for Contact Flow were obvious.

If the goal is to get maximum information from the contact, why approach the contact in Contact Flow any differently?

Watch some of the scenes in the Attackproof Companion Video Part 3, where John is flowing at moderate speed with some of the more advanced students (e.g. Al), and observe whether his attitude varies greatly from how he'd approach feeling a fine hanging curtain for example. (Note that instructors don't always look like this when training with students, as often the instructors intentionally feed the students obvious pushes, strikes and other disruptions to deal with so that the students can develop. What I'm describing here is not ALL THERE IS to Contact Flow, but simply an important piece of it.)

Adopting this attitude of simply exploring how my training partner feels seems to be working well for me so far. I've received feedback that I feel more like Lt. Col. Al, more ghostly and unreadable and surprising, when I adopt this attitude.

We'll see where this goes. The journey continues. . . .

A tip from a recent lesson with Al (which focused more on application than on Contact Flow itself):

--If I drop to stop his motion, I must not stop my own motion with my own drop! When I drop against his arm or body, my body must continue to move in, taking immediate advantage of the space and time I created for myself via the drop. This is how I can get ahead of him. If we both stop at the moment of the drop, I give him time to recover and nail me. There is NO need to stop my whole body when dropping. It can move in behind my strikes and pulses just as the body can move in behind light contact or equal pressure in slower Contact Flow. Continuous contact and pulsing pressure in slower Contact Flow can become strikes and tool destructions in full-speed application, allowing the same levels of mobility and sensitivity--so long as the requisite looseness remains.

And a different way of thinking about looseness that has helped me in my recent quest to "use my looseness as a weapon" (per Al) and also to get some students to cut down their excess motion:

--Looseness is about FREEDOM IN ALL YOUR JOINTS. It's not about flexibility, contortion or "softness." If you're loose, each joint in your body is free to move however it must at any time, rather than being locked into a certain position or reduced range of motion. It is free to move whether the impetus to move comes from within the body or from outside the body.

Shoulder Surgery Rehabilitation--Don't Get Stupid!

For all you rotator cuff fans I thought I'd pass on some advice I just received from my surgeon today (who also BTW is a long time aikido practitioner) in response to my questions about regaining my range of motion. All through my physical therapy and whenever I do rehab exercises on my own, I would constantly say to myself "push thru the pain! You're a warrior--use it to your advantage and get better faster!" On range of motion exercises I'd try to eke out another 1/2 inch, trying to get back to normal on every repetition. If the physical therapist said go to a pain level of 3, I'd go to 6...well, maybe even 7, what the hell.

Well today my surgeon checked my range of movement and said I'm right where I need to be and glad I wasn't doing better. "What?!?" I said, "what's wrong with better?!" He said what happens is he often gets martial artists as patients and that they stretch and stretch and scream and fight thru the pain and they come in to his office all proud of themselves because they've surpassed their expected progress points and exclaim "see? I can bend my shoulder all the way to here now!" Next thing happens, they wreck their surgery because the damn tendons won't stay attached to their bones. They don't exactly pop their screws but their rotator cuff never turns out a strong as it could have.

I work with a guy who tore his shoulder to shreds as a high school baseball player. Being a self-described "exercise fanatic," whatever the therapist said to do, he'd do 3, 5, heck, 10 times as much! If a little is good then a ton is better! Well his shoulder never healed perfectly and to this day makes strange noises and doesn't work completely normal. Would he be better if he didn't push it to the max? Who knows.

The lesson is that it's not the amount and intensity of the rehab that gets you better, it's TIME and consistency without strain. Can I do it? Check back in January...

My Lessons With the Masters (and Fatherhood) Part 2

--From the two points of contact position (touching one of his arms with my hand, and his other arm with my elbow/forearm of the same arm as my touching hand), I have checkmate: I can isolate around the contact arm (hence ghosting) and hit with the free hand, and if he moves either of his hands or his body (without full isolation) to deal with it, either end of my contact arm can carry through the attack.

--I must use my looseness to hit powerfully, completely casually, with no apparent weapon or strike manifestation until the moment of impact. Don't "strike": just make you weapon appear on the target. Striking at this level becomes pure thought: I think, thereby it becomes.

--I must not move any more than is necessary. Rather than "completing" or "following through" motions (overextending/overcommitting), I must always "find the straight line in the circle," penetrate then strike again from there through the space my strike created, cut things off directly, strike repeatedly through the same line, and never make anything more complicated than it needs to be. I must pocket to clear my own line to strike, and to create space to draw my arm out to strike

--I can use my looseness to hit powerfully from nearly full extension of my arms via internal dropping.

--I can use my looseness and internal dropping to snap extremely hard, repeated tool destructions/checks with absolutely no wind-up or pretensioning, going straight from steam to ice and back again instantly, to economically clear lines to strike through. This can be practiced on the slam bag, striking very short, right in front of the chest, with no wind-up.

--This can be expanded to full, powerful "liquid/solid" heavy arm striking, contouring along the body with an arm as loose as water that nevertheless cuts like a knife through whatever gets in its way via internal dropping.

--I must Ride the Vortex: use extremely light tool replacement and minute body movement to let strikes BARELY miss me while taking space and maintaining control with NO overcommitment.

--This requires the PATIENCE and faith in sensitivity to NOT MOVE TOO EARLY, but to wait for the overcommitment and panic to penetrate. It's about TIMING, allowing him to run into things. Swinging for the baseball too early is just as bad as swinging too late!

--Kicking: The foot moves directly to the target with complete looseness ("release") and balance, with devastating effect. (My bad luck--I was wearing shorts!) Try out a few funky angles. . . .

I then watched as John worked with Al, and demonstrated the differences he feels between Al and me. I probably didn't get most of what was going on, as my head was already bursting from all the information Al had just downloaded to it!

--John feels how to disrupt the spine, allowing him to completely take Al's balance and crush his structure to deliver fight-ending blows, sometimes simultaneously.

--In addition, John "brings the chaos," creating sensory overload with multiple attacks to different locations.

--Compared to Al, my root feels more fixed (less elusive--NOT stronger) and much easier to pin down and disrupt. From any particular spot, John may have a couple things he could do to Al, but he feels dozens of things he could do to me.

Hopefully my subconscious mind will digest at least some of this powerful stuff while my conscious mind is preoccupied with feedings, diaper changes, playtime, and doing well at work to pay for it all! (Then again, if I could teach say 8 private lessons per day, 5 days per week, maybe I wouldn't have to work. . . . Oh well!)

My Lessons With the Masters (and Fatherhood) Part 1

Mega blog post to make up for not posting for so long. (Thanks for taking up the slack, Matt! Happy healings!)

I was going to write an extensive post about Guided Chaos-related things I've learned from my new daughter, but a) there's just too much, b) I've only just begun the learning, and c) it seems a bit personal for this blog. Suffice to say that fatherhood is AWESOME and worth missing tons of class time for (although it would be best if I could do both!). Thanks very much for the congrats and good wishes.

That being said, the few classes and private lessons I've been able to make it to have been jam-packed with powerful stuff!

From a class with John:

--I'm "thinking about getting loose" while I flow. BAD!!! I must use my looseness to immediately bring weapons online, not to "be loose!" Reactive looseness vs. wimpy/sloppy looseness.

--In some cases, the arms should be less loose than I think they should be, in order to penetrate and move the guy. Very cool thing: how to curve the penetration in and downwards with different parts of the palm in order to make the penetration inescapable, while internally dropping.

From a private lesson with Al:

--I'm actually looser than Al. The difference is in how we each use our looseness.

--I must use my looseness as an offensive weapon, not as a defensive measure.

--Sensitivity: I can feel everything faster than you can move. Every minute change I feel, I should move to end it. This can be practiced in Washing the Body.

--If I can feel everything like that, I must assume the other guy can as well. Therefore, I need to completely ghost my movement, isolating with no pressure. I must be able to step in and tool replace to my chest, drawing my arm out to strike from close range, without giving any pressure or apparent change. [Do NOT ask Al to "walk like an Egyptian" to illustrate this point. Trust me, you DON'T wanna see it!]

Stay Tuned for more super secret training tips from John and Al in Part 2...........

Shoulder Surgery Rehabiltation and Training Update

It seems there's a lot of us 40 and 50 year old aging warriors with shoulder problems because I've been getting asked lots of questions about the surgery, pain and rehab, so I thought I'd give monthly updates about what to expect (of course everyone's different but according to my physical therapist I'm slightly above average in my recovery).

There's no getting around it: the first week just sucks. The pain is relentless and you need vicodin, percoset and motrin simultaneously just maintain your sanity. You have to sleep upright in a chair or propped in bed with pillows because lying down is excrucitaing. After about a week, the vicodin begins to make you feel sick so you stop taking it and the percoset and survive on motrin (don't take more than 2400 mg of motrin a day or you'll be going back to surgery to have your liver taken out). If you have a good surgeon, he'll be getting you out of the sling after just a few days because the most important thing is to gently get back your range of motion (which isn't much cause you can't raise your arm more than 2 inches.)

After 2 weeks the pain subsides a bit but it's still there constantly at about a 3 or 4 level out of 10, going up to a 6 at night (just in time for bed). That's when you take your pain pills.

The good news is that I'm now at the 1 month mark and now the pain is down to about a constant 1-2 and it no longer goes up much at night. I can finally sleep in a bed again (but you have to watch your positions.) Rehab helps significantly (twice a week) and I can now just barely comb my own hair without propping my arm up on the mantlepiece.

It was driving me insane not to be able to do contact flow, not to mention missing the UK seminar. But I've finally started one-armed contact flow in class and that seems to (not surprisingly) help the other arm heal quicker. I'm trying to take advantage of the situation by improving my tool replacement skills (hand to forearm to tricep to shoulder) against partners using both arms. This is critical, as you will all notice how John can basically feel, defend and attack you with just one arm against your 2 easily, leaving the other hand in reserve to put your lights out. Al has also been working this with me. I'm also using my feet like a soccer player, trying to develop foot sensitivity and using all working weapons simultaneously and as creatively as I can.

Well that's it for now, hopefully new-daddy Ari gets a break long enough to pen his thoughts on mixing fatherhood with class time (Al has been kind enough to pummel him in private lessons however so I'm sure there's fodder there!)

Shoulder Surgery and the One armed bandit

As some of you from class may know, I finally closed the book on 30 years of inadequate rehab, bit the bullet, and got arthroscopic surgery done on my right shoulder. Man, does this sucker hurt! The surgeon surprised me after I woke up because what we both assumed from the MRI was a simple tear and a 2 point reattachment...turned out to be three times more damage that required 2 more hours of surgery and 6 total reattachments once he got the scope in. So if you've been suffering like I have since college (30 years ago) with shoulder pain that comes and goes, thinking "I can fix this myself".... you may help yourself by getting that MRI you've been avoiding.

'Course now I'm looking at 9 months rehab til I can really go at it again but after that--watch out! I'll be tearing phone books in half and throwing big Mike thru the window (in my dreams!) In the meantime, good thing they invented Vicodin! Anybody else gone thru the shoulder 'scope ordeal? How'd it turn out? All I know is there's lots of one-armed contact flow in my future... I'm going to have to work on drills that don't screw up the surgery. One lesson I can take away from all this is the importance of warming up and not leaving your brains in your ass. The original injury was from lifting weights--and then going out and throwing 300 passes in a football game. Couldn't lift my arm for a week. That got better, but I kept re-injuring it. The final insult was 3 months ago when, after breaking my personal record in pull-ups, I decided to celebrate by immediately doing an hour of intense contact flow. Snap. After 30 years I think I finally learned my lesson. Maybe.

P.S. Just to put my whining in perspective, John needs double knee replacement and two shoulder surgeries and he's still devastating.
--Matt

New expanded 2nd edition of our book coming...

Hey everybody--

This is Attack Proof co-author Matt Kovsky. You know how you can have an important face-to-face conversation with someone you don't see very often, and then, on your way home, you realize all the things you forgot to mention? Or you're on your cell phone in the car, trying to get directions before you hit that dead spot on the road ("can you hear me now??"). Well that's kind of what it was like when we put out the first edition of our book. The publisher had a deadline, a page limit, and their own ideas about what the book should be (and look like, and be titled, etc... an interesting story in itself...) 'Course now, since we sold 20,000 copies and are one of Human Kinetics best sellers, things are a little different! it's really exciting because the 2nd edition of Attack Proof is finally going to have everything we originally wanted in it...and more.

Without them saying "oh, you have to cut this, this is too long, you have to have a section that says things this way..." we can give you full, detailed explanations of this admittedly esoteric free-form art so that there's no question what we mean when we talk about Sensitivity, Sphere of Influence, Equilibrium, "Riding the Vortex"--all that stuff that you feel instantly when you're in class but hard to get from a book (though it seems we've been getting a lot of emails lately from people who've been practicing with nothing but the book and surprising their formerly superior teachers and training partners--and getting that look from them--you know, the kind that says "what the hell have you been doing??).

There's going to be a complete groundfighting training guide, footwork and balance regimen, jetliner hijacking survival guide, point-shooting drills, exhaustive contact flow variations, total Slambag training...it's gonna be packed.

It would've been nice if we could've finally called it "In The Eye of the Storm"... but people'd walk right past it...

"MY LESSONS WITH THE MASTERS..." Ari Kandel's personal training blog. #36

Recently had a private lesson with Tim, and one with Al.

From the lesson with Tim:

Frankly, I'm not sure what to say about this. It was a very interesting lesson, and I KNOW I learned something important subconsciously, but I'm not consciously sure what it was. I know there was SOMETHING, however, because when I worked with Al shortly after the lesson with Tim, things were definitely different--in a good way for me! It may have something to do with something Gary Abatelli has discussed with me in the past, regarding an attitude of "not caring." Maybe I'll figure out exactly what happened someday. . . . Then again, maybe it would be best if I NEVER consciously figure it out!

From a later lesson with Al:

Hit him with your skeleton.

I'd heard this before, but when Al brought it up in the middle of what we were working on, it took on a new meaning for me in the context of being looser and more fluid with my hitting. Simply by visualizing that I was just a skeleton, and I was just guiding my bones in to hit, I was able to get rid of some excess muscle that was hindering my hitting power and fluidity. Cool stuff!

Ride the vortex.

This idea is explained briefly in the book, but this was the first time I'd had the details pointed out to me in action. Al maintained very light contact on the outsides of my arms, allowing them to slip past him and positioning his body to always be out of the way without giving any pressure. To minimize the distance he had to move, he used lots of very light tool replacement. It almost looked like he was "polishing my sphere." However, every time he let something pass or tool replaced (actually, every time he moved his body into a superior position), he was able to penetrate in and begin hitting, contouring very lightly along my body, yet still moving along the outside of the "vortex" with his own body (even when very close) to avoid being in a position where I could penetrate him. When he let me experiment with this idea, I realized that it was an excellent way for me to work on cutting down my own vulnerability while being as ghostly as possible, which is something that I've struggled with. In the past, I've often found myself leaving myself too vulnerable when trying to be ghostly and unreadable, such that my training partner was able to hit me--even if he couldn't feel me at the moment. Not very useful! I'll have to play with Riding the Vortex, as it may present a solution to this problem.

Good stuff!!!

My Lessons With the Masters #35

Had a great private lesson with Al this weekend. Afterwards, Al had a private lesson with Kevin. Because Al wanted to teach Kevin some multiple attacker stuff, I got to join in as attacker #2 and pick up some important tips.

From my lesson with Al:

--Maximize fluidity, in order to:

1) Make hitting continuous, no breaks or pauses or pulling back--advance in ONE MOVEMENT with all hits in it
2) Hide the hitting and movement--no apparent weapon until the moment of impact

--NO wind-up nor follow-through--hit through an inch and then return with the next hit

--Glide along the body while hitting such that you're always in "contact" with his intent

--Send your hitting arm through the same line as your contact arm (as in Stacking the Spears or hitting right over or under a Drac) to hide the motion and thread through the opening.

--Anticipate that he'll negate your initial hit--hence, it doesn't matter when he does!


Then with Kevin, multiple attackers:

--Stop motion with loose, heavy hits to anywhere and low drop kicks

--Dig fingers in and lift under jaw/windpipe to manipulate head in any direction you want (after hitting of course)--crack the coconuts (crash heads into other heads)!

--Drop hit (not push!) one guy into the other and immediately follow through with hit to the other

--Hit to unbalance then drop hit to send

--Ride the Lightning around them so that you're always hitting and penetrating--ALWAYS be hitting, first!

--Load your spring on one guy to hit the other guy--bounce a hit off one guy into the other guy

The New Combat Conditioning DVD...

Just received the Combat Conditioning DVD. I've watched it straight through once, followed by lots of skipping around to different sections and exercises, the way it's intended to be used.

The DVD is just what it promises: Tons of solo exercises, each demonstrated for a long enough time that you can work out along with it, interspersed with some brief but interesting examples of the combat applications of the drills. The DVD actually contains several interesting drills I'd never seen before, which is an accomplishment after over three years of in-person training! I must admit that upon my first couch-bound viewing of the DVD, I didn't quite "get" the Native American soundtrack. A lot of it sounded hokey to my bland Top 20 ear. However, once I started actually moving along with the DVD (y'know, the way you're SUPPOSED to), I "felt" the music immediately. It really does enhance the workout by helping you get into the relaxed yet vibrant mushin state with your movement. I actually hope John starts playing Native American music in class again. (Allegedly he did this back in the day.)

"Be Careful, It Could Get Addictive..."

Here's the real crux of the matter: Since getting the DVD, I've gotten in some very productive Guided Chaos solo training every day. This has not always been the case. In fact, lately, with work being very busy and tons of other excuses popping up, my solo Guided Chaos workouts had fallen to maybe once per week, if that. Not good. The DVD provided the motivation, inspiration, freshness, whatever to get me going again. Be careful, it could get addictive: One night, I suddenly realized while working out with the DVD that it was after 1 a.m., and I had to wake up in less than six hours! The DVD should contain a warning: Use In Moderation. (It actually does contain lots of warnings, but I FF'd them.)

Sometimes I do some exercises along with the DVD, and sometimes I start with one exercise and branch off from there, letting the Native American rhythms carry my body into whatever it wants to do, experimenting with different drills and movement. It just makes you want to move.

Obviously I have an advantage in such training over raw beginners, as I already know most of the drills and have at least a basic understanding of what they're supposed to accomplish (although I'm deepening that understanding all the time, and have very far to go). (Sidebar: I realized while watching the DVD for the first time that I currently have an understanding of some of the exercises I demonstrate on the DVD different from what I had when the DVD was actually filmed! It still looks okay though--the differences are mostly internal, concerning feelings and perceptions. Go figure--internal martial arts!) It's suggested that beginners get the Companion DVDs along with the Combat Conditioning DVD for the explanations and teaching of the exercises that the Companion DVDs contain. While this would be optimal, I believe that a motivated student could get very far by using this DVD in conjunction with the book Attack Proof. The book contains the most critical explanations of most of the exercises, and you can read the book while watching the demonstrations on the Combat Conditioning DVD before giving it a whirl yourself.

Another valuable source of knowledge is the Combat Conditioning E-book you get free when you purchase the DVD. This E-book is worth WAY more than you pay for it! In it, Lt. Col. Al (with a sprinkling of Matt Kovsky) goes over the entire contents of the DVD, giving tips and advice about each drill and variations beyond those on the DVD, as well as broader instruction regarding topics like footwork, combat-applicable strength, upper and lower body development, use of equipment and pliability development. Lots of great information.

Use the Combat Conditioning DVD however you like. Follow along with it directly, use it as a starting point for experimentation, use it as motivation to get moving at all, or just use the sound track to enhance your movement. However you use the DVD, if it gets you moving and feeling your own body in action (i.e. improving your proprioception), it's enhancing your Guided Chaos, which is its purpose. For anyone interested in Guided Chaos or combat in general, it will accomplish this.

"MY LESSONS WITH THE MASTERS..." Ari Kandel's personal training blog. #34

The Guided Chaos Combat Handgun seminar was this past Saturday.

This is just a quick summary. A more thorough review will be available soon. . . .

This was a unique seminar for a variety of reasons.

John went into the seminar hoping to impart a few key ideas, rather than teaching a variety of skills that would be forgotten or lost without much additional practice.

Some people may not realize this, but for all of John's hand-to-hand and hand-to-weapon expertise, his combative skill and knowledge with firearms is perhaps even more exceptional. What stands out most is his understanding that the most operative part of the word "gunfight" is FIGHT. Many trainers today teach gunfighting as merely an extension of the "shooting" one might do on a target range. In most cases, unfortunately, reality does not conform to these trainers' assumptions.

The seminar began with work on the problem of someone holding you at gunpoint.

The students practiced drills that emphasized the wide variety of possibilities a hold-up could involve. Even when moving slower than full speed, the students quickly learned the importance of using dropping energy in offlining movements to avoid being shot. They also discovered that countering a gunman was not always as simple as some self-defense programs and magazine articles would have you believe! You never know how someone will hold the gun on you or how he'll move once the action begins. Of course, the probability of multiple armed attackers complicates the situation exponentially. . . .

After a break, the seminar transitioned to using your own handgun to defend yourself.

According to John, one of the biggest missing links in most armed citizens' and police officers' preparations is the ability to access, present and use the carry gun while under attack. It seems that many students and even trainers assume that they'll see any attack coming from far away, or perhaps that the violent criminal will announce his intentions from a distant stationary position, allowing time for the victim to execute his practiced stationary draw from concealment into a perfect shooting stance and obtain perfect sight alignment. Reality, unfortunately, often doesn't happen that way!

The drill used to illustrate this was fairly simple. The student was given an electric airsoft pistol and waistband concealment holster. Lt. Col. Al, in a role that must have been lots of fun for him, was given a face mask (to protect against the Airsoft pellets) and a rubber training knife, later to be replaced by a padded stick simulating a baseball bat. Al stood 20+ feet away from the student. Beginning from Al's first movement towards him, the student's task was simply to draw and shoot Al without being stabbed/whacked. It quickly became clear that just trying to draw while standing in place was a recipe for disaster. No one was able to shoot Al using this method before getting stabbed up. The only method that offered a good chance of success was to immediately run (not side-step or shuffle or anything formal, but "move like the wind") offline with speed and balance while drawing and point shooting simultaneously.

Next, another possible response to this situation was explored: going to the ground. This could apply if the student simply tripped and fell while trying to get offline of the charge, or in situations where there is no space to get offline. Again, accessing the concealed gun while moving (in this case, while falling or while moving on the ground) proved essential, as all those who attempted to draw before moving got "killed" long before they could manage to shoot Al. It also became clear that just as balance and the ability to move swiftly and nimbly on the feet were the most critical components of the previous drill, Guided Chaos falling and groundfighting skill was the most critical factor in this drill.

(By the way, before you ask: Everyone wore eye protection during the parts of the seminar that utilized Airsoft. Those pellets bounce everywhere and can do real damage if they hit the eye.)

The next drill allowed the students to apply their new ground-gun-fighting skills in a more dynamic way. Joe M. (Guided Chaos instructor with a school in Kingston, NY) had rigged up a pulley system that allowed him to dynamically raise and lower a Paulie dummy above a floor mat. The student began the drill lying under the hanging dummy, gun holstered. A big guy (Rich, in this case) controlled the dummy from behind, swinging it and making it kick, strike and circle the student as Joe made it rise and fall via the pulley. On John's cue, the student had to fight off the attacking dummy and keep it away via explosive kicking and movement. After a few seconds of this, John shouted "DRAW!" and the student had to access his handgun and shoot the dummy while keeping the dummy away and protecting the gun from getting struck.

The last series of drills gave the students the opportunity to experiment with point shooting vs. sighted shooting against a dynamically moving human target.

Overall, a great seminar, where much was learned! Everyone learned the differences between mere shooting vs. gunfighting, and the different requirements to succeed in each. A firm foundation in the Guided Chaos principles of balance, looseness, sensitivity, body unity and freedom of action is as critical as ever when firearms are involved, no matter which side of the gun you're on. I hope to explore these ideas further in my future training, as well as getting some live-fire practice in using these principles.

"MY LESSONS WITH THE MASTERS..." Ari Kandel's personal training blog. #33

JUST HIT!

From a recent private lesson with Al:

Just hit naturally. Your body is already going to the right place, which is what makes everything possible. Don't worry about the limbs. Be completely casual, with no preconceived notions or "artfulness" about it.

Cut the angle and hit with everything available, then when you feel him start to panic, change and cut from the other direction. Then, you start to anticipate his panic and where he will try to go, so you just cut things off in advance. Don't back up or give any space--but be completely light and ghostly as well.

Do everything from the lightest of contact. No pushing! Pushing is Al's teaching game to force you to get loose and explore your movement. In reality and for your own training, just hit--everything is a light but solid tap, even to the body--so that you overcommit to nothing and can always move to the next hit, giving him the feeling that every move he makes is wrong.

In other news, Combat Handgun seminar coming up this Saturday. Should be awesome!

Also, Combat Conditioning DVD coming soon...

"MY LESSONS WITH THE MASTERS..." Ari Kandel's personal training blog. #32

MOTION INITIATION FROM THE FEET

The following training advice is my interpretation and compilation of a variety of tips and ideas I've gotten from John, Tim, Al and others. I've been working on it a lot lately, and teaching elements of it to other students in class. A lot of this will sound esoteric. It is simply my attempt to convey internal feelings through the written word. (This is how a lot of the mystic jargon that surrounds the Chinese internal arts probably came about.) As many students in Guided Chaos classes will testify, this is a lot easier to understand when you can feel it in person (although "easy" is a relative term in this case!).

This is a brief summary. A much more extensive explanation may appear in a future edition of the book "Attack Proof". . . .

All active motion should be initiated by a change in how the feet interact with the ground.

The looser your body is, the better it will carry through all the energy generated by each change of pressure of the feet against the ground. Any stiffness will stifle the energy transfer and the flow of movement.

All active intention should come from the feet, pushing against the ground. No intention should come from anywhere else.

Key to intention from the feet is staying low and rooted throughout all movement and stepping, letting all your vitality and strength sink into your feet so that your feet are full and heavy while the rest of your body is empty, loose and pliable.

If you move with intention solely from the feet while remaining rooted, it is practically impossible for the enemy to control your balance unless he controls your center directly.

Remember that a person can stop your motion, jam you up and off-balance you only if he has a direct line with his pressure to your center, no matter where he's pushing from.

Now, bear in mind that as far as I know, this is only a first step. Once you gain the proprioception and relaxation to move exclusively from your root, which results in body unity, you can start to "break the rules" and isolate movements of your limbs and body apart from your root.

Confused yet? Good. Come to class and it will all be made clear. ;)

P.S. Don't forget to hit him and escape.

"MY LESSONS WITH THE MASTERS..." Ari Kandel's personal training blog. #31

KEY POINTS ON SENSITIVITY AND DEFEATING THOSE WITH SUPERIOR TIMING

From a recent lesson with Al:

Use your sensitivity to create things--create the chaos for the other guy, manipulating it for yourself.

Move your body in behind momentary equal pressure.

Moving your body in puts him in checkmate no matter how he reacts to the pulse . . . unless he moves his whole body himself.

You can pulse and apply equal pressure with any part of the body, and while tool replacing.



From a recent class with John:

You must feel the state of your own body, you must feel the state of the other guy's body, AND you must feel what vulnerabilities you are exposing to the other guy at any given moment and move to eliminate them.

John can feel subconsciously what's open and move to close as many of the openings as possible, both by moving his own body and disrupting the other guy's balance and position and the relationship between the two bodies.

For example, John felt all the places I could possibly hit him and eliminated all of them by moving his body into mine in such a way that my balance was slightly thrown while he moved to a place where because of the state of my balance, I could not come close to damaging him.

His minimal movement prevented me from doing anything to him without significant readjustment. He used that readjustment time to destroy me while keeping me off-balance and continuously moving himself into a better position as the situation changes.

New saying: An ounce of prevention is worth a pound of pain!

John pointed out the contrast between me, a 2nd Degree Guided Chaos Black Belt, and Andre, a 3rd Degree Guided Chaos Black Belt: Even though I'm relatively loose and can move pretty well in an evasive, reactive manner, occasionally even better than Andre who has more mass to control and move out of the way of things, Andre is far better at PREVENTING me from being able to damage him by cutting off his vulnerabilities. This is the "next level" of sensitivity that I have to work on. Unfortunately, as usual, it can't really be worked on consciously. Now that I have the general idea, consistent, proper contact flow practice will eventually bring the subconscious into line with this idea.



Also from John, from another class:

John told Andre to work on timing my motion to shoot in combat boxing punches to my body from outside of physical contact range. My task was simply to time HIS motion to get offline with a close combat entry as he shot in with his punch. This very quickly turned into a very frustrating drill! After a couple of unsuccessful tries at timing Andre's motion and getting around him, I started a slow "lawnmower" (as shown by Lt. Col. Al on the Attackproof Companion DVD Part 3), advancing with alternate low straight kicks and loose dog-dig-style close combat strikes. I felt that this made it much more difficult for Andre to get in, even though I wasn't actually kicking with any power, but just tapping his legs. John soon told me to go back to trying to get offline from a dead-still start. It again became a very frustrating drill, especially when Andre started to shoot in with his punches at angles that cut off where he knew I wanted to go, so that even if I DID get offline from where his straight punch would have been, he had already moved to hit me where I was going! I don't think I got around Andre cleanly even once. John then took my place in the drill, and showed how with his superior timing and subconscious reading of Andre's body, develped through decades of experience, he was able to get cleanly offline nearly 100% of the time (and the couple times it was less clean, it didn't matter, as John simply adapted and did other stuff).

After the training had ended, John explained that for me, that drill had been primarily a lesson in what NOT to do. Like raw speed and strength, timing is an attribute you can never be sure of being the best at. He said that as good as Andre's timing is, John knew many people, some even untrained, who had far better natural timing (like his brothers and Michael Watson). We shouldn't try to beat them at their own game. John told me that my switching to the lawnmower tactic early in the drill was actually the right idea. Done full-power and with full offensive commitment, that tactic would give me my best chance of disrupting a guy's superior timing to take him out or at least get to a place where tactile sensitivity could best be utilized. He likened it to what Bruce Lee used to say about sparring beginners vs. experienced fighters: A scrappy beginner was often more difficult to deal with in a sparring context because his timing and rhythm was completely unpredictable because of his awkwardness and lack of knowledge. It was easier for Bruce to time a more polished fighter who moved with more smoothness and a "learned" rhythm. John said his father often looked "awkward" going into action because he would intentionally move in a "strange" way that would similarly baffle the timing of experienced fighters, allowing him to get in and pounce.

"MY LESSONS WITH THE MASTERS..." Ari Kandel's personal training blog. #30

INCREASING SENSITIVITY AND CREATIVITY

My apologies for not posting in a while. Things have been really busy (mostly good-busy), and I've been working on another project you may see on news stands before the end of the year. . . .

But for now, some thoughts from a recent private lesson with Tim and a great class with John:

Tim explained that the strike itself that hit me wasn't the issue. The issue was all the little changes that happened in both our bodies that eventually culminated in that strike getting through. Tim may have started to move to say five different things, all of which were eliminated by subconscious changes in my body. However . . . did I feel all of those??? Those tiny changes are what I have to feel.

To improve your sensitivity, really feel the details in "normal" situations, e.g. holding your wife's hand.

From Tim's perspective, I'm really just placing him in good positions to hit me every time I move.

Tim's advice: work with women! They force you to be subtle and to feel their subtlety. After you work with women, men feel very obvious and heavy in their movement. (Compare this advice with recent discussions on the Guided Chaos forum.)

Tim demonstrated the same movements done "heavy" and then done "light." The "heavy" movements I could deal with and evade (barely) because of the excessive contact and motion. The "light" movement I could do NOTHING about. The tap to move my arm simply moved it just enough, and everything else slammed in with no excess contact or motion.

John taught a great class recently.

He explained that most who excel quickly in Guided Chaos are those with especially creative and artistic minds--generally, right-brain-oriented individuals. Those who tend to intuit the big picture rather than logically build up the details will pick up Guided Chaos the quickest. Besides citing examples of sucessful right-brain vs. left-brain thinking from his own experience, John also pointed out that Einstein initially "felt" relativity (intuition), as opposed to discovering it through a mathematical process (logical reasoning).

John then had us do an exercise to stimulate our creativity and intuitive learning, regardless of how creative and "outside the box" our thinking may normally be. We did Contact Flow with an eye towards maximum creativity and variety in our movement, regardless of our conscious perception of its effectiveness. John implored us to, while doing this drill, experiment with extremes of elevation and stepping, even turning completely around while flowing and moving as if to touch the training partner's leg and head simultaneously with each hand. He described it as doing "Polishing the Sphere" and "Washing the Body" as crazily as possible, but with another person. We moved through extremely strange positions, often discovering interesting opportunities along the way (e.g. massive multidirectional hits and neck breaks) while subconsciously learning to work from ANY position we could possibly find ourselves in amidst the chaos of real violence. Getting the most out of this drill requires that both training partners agree not to hit too hard and to pull shots to sensitive areas, as both partners WILL get hit during this drill, regardless of skill level. However, the benefits are immense, as the drill really challenges your looseness, balance, sensitivity and freedom of motion, even before you consider the more esoteric benefits (intuitive perception and action) that are the primary focus of the exercise. Whatever your range of motion based on your physical limitations, training like this will allow your subconscious to identify far more opportunities amidst the chaos of violence than you could otherwise perceive.

Watching John do this drill, I noticed that his hyper-balance and hyper-looseness enabled him to "insert" extremely effective, fully body-connected strikes and kicks amidst the chaotic flow of the exercise. While other people's bodies got carried along by the large, crazy and creative movements, John had complete control over his body through every inch of every movement even while "letting go" and allowing crazy things to happen spontaneously. Very interesting phenomenon!

John demonstrated how such drilling applies directly to combative skill. You focus all the intuitively driven, completely free motion towards immediately destroying the enemy in any way available. He demonstrated various brutal methods from Native American and Greek combat arts, how they can be applied via the Guided Chaos principles, and finally how "pure" Guided Chaos can easily prevent them from being used against you. Scary stuff!

An image John used recently to explain the reality of lethal violence resonated with me because of a funny coincidence. John was trying to relate to us the magnitude of the speed, power and sheer violence an otherwise average person is capable of in the midst of a fully adrenalized murderous rage. John then said in passing that we should imagine dealing with "28 Weeks Later" violence when considering how bad it can get.

Coincidentally, I caught some of that movie ("28 Weeks Later") on TV immediately after John mentioned it. It's the more violent sequel to the movie "28 Days Later". It's about a bioengineered virus called "Rage," that infects people instantly upon contact and turns the infected into seething, fully adrenalized killers who can do nothing except visit brutal violence against uninfected people. (The infected also periodically projectile vomit blood and look pretty scary.) The speed, power, brutality and pure rage exhibited by the infected (who are, remember, still fully human) give a good impression of what a violent psychopath, fueled by adrenaline and/or stimulants and completely oblivious to his/her own well-being, is capable of. The reactions of the normal people when they are attacked by the infected are also fairly representative of how most normal people really react when faced with such violence. They freeze up with terror, ineffectually try to push the attackers away, and generally succumb to the sheer violence of the attack. The violence of the infected is a good image to have for keeping in perspective what we're training to deal with . . . and unleash.

So, go rent that movie! And stay tuned, both here and at the news stand. . . .

"MY LESSONS WITH THE MASTERS..." Ari Kandel's personal training blog. #29

Review of
IN THE EYE OF THE STORM:
THE ATTACKPROOF COMPANION VIDEO PART 3
by Ari Kandel

Well, I just finished watching "In the Eye of the Storm" for the second time through. It took a while. Six solid hours of instruction and demonstration take a while to get through, no matter how great your interest!

As long as it may take to WATCH the DVD, there's enough material in here for at least a lifetime of exploration.

And that, in a nutshell, is what "In the Eye of the Storm" primarily is: An audiovisual library of ideas to explore and experiment with in your training. It's not all "just" about Contact Flow. The reality of homicidal combat, self-defense scenarios, fighting out of hostile crowds, dealing with various kinds of movement (e.g. from boxers and grapplers) and closing distance are just some of the topics addressed, both purposefully and in "golden nugget" tangents by John, Al and Matt.

Most of the video consists of private lessons, in-class demos and some for-the-camera explanations detailing dozens of Guided Chaos principles and ideas. I believe just about everything Guided Chaos in the book is touched on here (besides some weapons and groundfighting matters), plus additional concepts that are not in the book (e.g. "Oneness Hitting"). As usual, it's not a "step 1, step 2, here's how you do it" presentation. The point of Guided Chaos is that real combat is not like that. However, through their explanations and demonstrations, the masters convey an idea of certain "feelings" and "ways of perceiving" that you can experiment with and discover for your own development. While it's tough to say what's basic and what's advanced, as different people pick up different things at different times, the material runs the gamut from simple ways of easing a person into contact flow training (e.g. "fixed-step flow") to esoteric ideas that I've never seen anyone except the masters utilize, and which I certainly don't "get" yet--but which ironically make combat even more "simple" for those who DO get it. Repeated with some regularity throughout the video in otherwise disparate segments are the essential core ideas of Guided Chaos that you're lost without. This is a very good thing, as even in the future when you may be using the very well laid out video menu (with nearly 60 chapters) to re-watch a particular concept you're working on, the DVD won't let you forget to e.g. be 99% yin and unavailable even while you're experimenting with the deceptive idea of equal pressure.

Matt really outdid himself with the production and editing of this one. From the amazingly tightly edited introductory verbal and visual explanation of contact flow, to the extremely useful visualizations of everyday experiences to understand sensitivity, to the fact that he's integrated footage from the 1990's through literally a month ago (including footage from the often asked about "master classes"), well, it's easy to now see why for months Matt showed up late to class, eyes bleary from staring at video screens all weekend!

As with Guided Chaos itself, it's impossible to do justice to this DVD through mere words. So here are just a few reasons why you should get it:

--You want to get an idea of what contact flow can look and feel like at all different speeds and skill levels.

--You want to understand how contact flow is NOT combat, yet applies to combat.

--You want to know how to make your Guided Chaos sing against:

a) boxers,

b) grapplers,

c) kickers,

d) stronger people,

e) taller people,

f) faster people,

g) surprise attackers,

h) groups thereof.

--You want endless variations of the basic contact flow exercise to expand your attributes and training.

--You want to know exactly what Al means in his newsletters when he talks about stuff like "Ride the Lightning!"

--You want to see a man who looks like Santa Claus move like the wind, effortlessly demolishing bigger, younger, stronger fighters trying their best to "get" him.

--You want to see a man who looks like a Marine Corps recruiting poster brutalize mere mortals with terrifying efficiency.

--You want to see Santa Claus casually smack around the recruiting poster.

--You want to see how Guided Chaos masters work with various people of various skill levels in order to make them better--in other words, how to teach.

--You want to discover that the masters really mean what they say, for example when they discuss flowing so slowly that you can hardly see any motion--or so quickly that the human eye cannot follow even from a distance.

--You want to see how an experienced, natural martial athlete processes and quickly absorbs new information through interactive learning.

--You want to be privy to immensely educational scenes that even regular Guided Chaos students rarely witness: contact flow between the highest level masters of the art, complete with slow motion and commentary.

And finally:

--You want to take advantage of by far the best (non-human) Guided Chaos learning resource ever. By paying close attention to the lessons in the DVD, contemplating them, and exploring them in your ego-free partner training . . . you almost can't help but get better.

That's what I plan to do.